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Clare Henry was born in Sheffield, Yorkshire in 1947. She worked as an art critic for The herald for 20 years, moved to New York in 2000 and started writing for The Financial Times. Henry was a founding member of Glasgow Print Studio and editor-at-large of State of Art Magazine. She has curated a number of exhibitions and was the commissioner for Scotland at the Venice Biennale in 1990.

The Wellpark Enterprise Centre (1996-2002) was a women’s’ enterprise centre based in the east end of Glasgow that sought to encourage women to engage in enterprise. It provided a range of resources, including 590sqm of subletting space, ICT services, as well as running projects designed to support potential, nascent and existing women-led businesses. From 2001 onwards, due to reliance on grants from funding partners and [little in the way of active monetary returns], it experienced financial difficulties, eventuality resulting in the liquidation of the company board, and a hand-over of the company and its remaining assets to Glasgow City Council on 1st June 2002.

Formed in 1990, Black Lesbians and Gays Against Media Homophobia (BLGAMH) was a coalition of queer Black activists including Ted Brown, the veteran GLF campaigner. The group led several campaigns against homophobia and racism in the media, including calling out the homophobic representation of lesbian and gay members of the Black community in The Voice magazine.

Lesbian and Gay Employment Rights (LAGER) was a charity organisation which advised lesbians and gay men experiencing employment discrimination connected to their sexuality. They also conducted and published research into homophobic discrimination in the workplace and recruitment practices, including a report which quantified the forms and frequency of homophobic discrimination as it was experienced by their participants.

Funded by the Association of London Government (now London Councils), LAGER ceased to exist when its funding was rescinded in 2003.

Zamimass was a radical Black lesbian collective which explicitly aligned itself with socialist politics and intersectional freedom struggles. The group began in December 1990 when three Black lesbians organised Zami Love Day, an alternative celebration to Christmas Day featuring poetry readings, music, and a communal meal. Following this, Zamimass coordinated community actions, creative and cultural events, and a regular newsletter, as well as printing posters and other ephemera. From 1991 onward they met regularly at Camden Lesbian Centre, until the space closed around 1995; after this point, they apparently continued some of their activities before winding down in the late 1990s. The collective's manifesta, a copy of which can be found in the Camden Archive, sets out their vision for working towards liberation along lines of class, race, dis/ability, sexuality, gender, and education.

DAHLING was a social group for D/deaf, HoH and hearing lesbians. They held regular socials and planning meetings at Camden Lesbian Centre in the early to mid 1990s.

Camden Lesbian Working Group was a previous incarnation of the Camden Lesbian Centre Project (in itself a previous incarnation of Camden Lesbian Centre & Black Lesbian Group). The group was formed at Kentish Town Women's Workshop around the late 1970s or 1980, and they were originally named the Kentish Town Lesbian Group.

When Camden Council Women's Committee was established sin 1982, they adopted the group as a subcommittee and it became Camden Lesbian Working Group. Later that year, the group was again renamed, this time, with a name that would endure for longer: Camden Lesbian Centre Project (CLCP). As CLCP, the group successfully applied for Council funding, coordinated meetings and events, and began looking for premises to establish a physical centre for the local lesbian community.

In 1985 CLCP merged with the Black Lesbian Group, thus establishing Camden Lesbian Centre and Black Lesbian Group (CLCBLG). CLCBLG would secure premises at 54-56 Phoenix Road in February 1986; the Centre opened on 31 October 1987, and closed in late 1995/early 1996.